Color Sequence: MediumVioletRed x3, Lime x2, LightSlateGray x3, Fuchsia x2, MediumVioletRed x2, LightSlateGray, MediumVioletRed x2, Fuchsia x2, LightSlateGray x3, Lime x2, MediumVioletRed x3
Color Sequence: MediumVioletRed x3, Lime x2, LightSlateGray x3, Fuchsia x2, MediumVioletRed x2, LightSlateGray, MediumVioletRed x2, Fuchsia x2, LightSlateGray x3, Lime x2, MediumVioletRed x3
Ooh the youtube darkening has indeed darked this week's #WIPWednesday which WAS recorded in lower light but not that bloody low, youtube.
Color Sequence: DarkViolet x2, RosyBrown, RoyalBlue, Chartreuse x2, MediumVioletRed x3, DarkOrchid x2, YellowGreen x3, DarkOrchid x2, MediumVioletRed x3, Chartreuse x2, RoyalBlue, RosyBrown, DarkViolet x2
Long Thread Media - publisher of Piecework, Handwoven, Little Looms, Spin Off, and (soon!) Weft - is trying to save Craftsy or at least make some $ off it - as a subscriber to one of these magazines, I have an offer for a full year of membership for under $2. I'd snap up if I liked video instruction but I don't. Do any of you find Craftsy helpful? #fiberArt #spinning #knitting #crochet #weaving #quilting
Color Sequence: Moccasin x2, (LimeGreen, Moccasin) x3, LimeGreen x2, (CadetBlue x3, Moccasin) x2, CadetBlue x2, Moccasin, CadetBlue x2, (Moccasin, CadetBlue x3) x2, LimeGreen x2, (Moccasin, LimeGreen) x3, Moccasin x2
ugh this is taking forever but it's going to be *so pretty* when it's done. years from now. decades even. it is interminable.
Color Sequence: Burlywood x3, DarkOrchid x3, CornflowerBlue x2, DarkCyan x4, CornflowerBlue x2, (DarkCyan, CornflowerBlue) x3, DarkCyan, (CornflowerBlue, DarkCyan) x3, CornflowerBlue x2, DarkCyan x4, CornflowerBlue x2, DarkOrchid x3, Burlywood x3
Gallup has an amazing selection of Native American art, with much lower prices than other places in New Mexico.
I've been poking at Pixelfed, hoping to find a fediverse alternative to Google Photos. I don't think it's really what I need. But I do have some photos there -- here's a cool one: https://pixelfed.social/p/ddrake/816666846511902567
Copying that here: one thing I did not expect about Peru was the unbelievably rich culture of fiber arts. Weaving, spinning, knitting, dyeing, crochet, knitting -- it's EVERYWHERE. Women all over use woven cloth like this to carry things -- you just bundle up your stuff, tie the thing around your shoulders, and go. From groceries to small children, they carry everything.
These aren't just practical and functional, the patterns and colors are simply stunning!
When you consider tariffs for fiber arts... good luck if you want fleece or fiber prominent from a certain country.
The US... for complex reasons we aren't a wool using country. A LOT of the yarns in LYS and big box stores are made in another country. Turkey, UK, France, Italy, some in China, a LOT from India...
Panic buying yarn isn't the solution. Folks did that during the pandemic and still don't know what to do with the yarn.
It's delightful to see actual sunshine in the studio, but it also reminds me that I have to move the ryijy out of its path.
Vierailu menneisyyteen (vanha kokko) / Revisiting the Past (Old Bonfire), hand-knotted wool on cotton warp, 64 x 54 cm, 2019
I bought my copy of AHPB in 1990 for $11. I still look through it frequently , even though I am mostly weaving on 8+ shafts these days.
I see copies going for over $100 these days. While it’s a great resource, I don’t recommend anyone paying that price. Anne Dixon’s The Handweaver’s Pattern Directory is a good substitute in meantime and is a valuable resource in its own right. Though I do look forward to getting this updated green book. One can never have enough weaving books!
I said earlier I'd double checked and it's definitely Wednesday so clearly it's #WIPWednesday time.
Exciting #weaving news
>>The New Green Book
We are weaving every pattern in the classic A Handweaver's Pattern Book by Marguarite Porter Davidson, photographing them in colour and republishing the new version in 2026.<<
My latest woodworking project is a floor stand for our Ashford weaving loom. This project took about 8.2 bd-ft of 4/4 ash. It was mostly machine work on the band saw, table saw, jointer, planer, drill press, and sander. Finish was several coats of Watco Danish Oil ("Natural" color).
It's similar to the stand Ashford sells for their looms. It was fun refreshing my high school geometry and trigonometry to come up with the dimensions. Like the loom itself, the stand folds flat for transport or storage.
I just cut my weaving study project off the loom, so now I can get around to dyeing and then warping up Fibonacci Scarf projects for work.
I just need to decide some colours